People
Collection for person entities.
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- Julia Ann (Fry) West
- She was born in Iowa to John Fry and Hannah (Davis) Fry. Her father was a farmer and her mother was a homemaker in Knoxville. She married John O. West on October 12, 1875 in Marion County, Iowa. The 1880 and 1900 US Censuses show them living in Polk, Iowa, where the family farmed. Along with many other Iowans, they moved to Palisade, Colorado in 1906, where they farmed fruit.
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- Julia March Crocetto
- Julia March Crocetto was the ninth Mesa County Libraries Artist in Residence at 970West Studio. The dates of her residency were January 14 - April 22, 2019. Research and process are at the root of Julia March Crocetto’s artistic practice. After studying architecture, she became more interested in the possibilities of fibers, painting, and sculpture. Topography, Wilderness, and other influences of the Greater West have become infused in her work, developed over many years of living and working in national parks and across the West. Using the language of traditional quiltmaking and contemporary resources such as LandSat imagery, she investigates water and land use and her own recollections of the West. Her first solo exhibition was in 1993. In 2004, she was invited to participate in the Holland/Alaska Cultural Exchange in the Netherlands. Since 1985, she has taught workshops in Kansas, Alaska, Arizona, and Colorado. She currently teaches art at Colorado Mesa University. Crocetto received her BFA from the University of New Mexico, summa cum laude, and her MFA from the Oregon College of Art and Craft. Artist Statement: "My inquiries revolve around the exploration of place, expressed with mark-making through printmaking techniques, painting, and stitching. My work is influenced by living in the Greater West in the era of the Anthropocene, bearing witness to our fraught relationships with wilderness and wildness. Through wrapping, collecting, and mapping I attempt to create tangible connections with place, embracing the perceived futility of harnessing the intangible, allowing the absurd to take a role in my work. I am curious about the overlap of systems, points of friction, adaptation, and cooperation, and seek the poetic conversations that can be found there. My practice leverages process and alchemy to imbue the work with the complexity I encounter. The resulting artifacts - which have been painted, stitched, folded, buried, neglected, rusted, and/or dyed - may be seen as maps, journals, quilts, or objects of contemplation; image and object become intertwined."